Erik Owomoyela

I write sometimes.

Latest Posts

Yes, humans are the best predators

Yesterday I stopped by Westercon for the quick whirlwind tour. It being Thursday, the programming was fairly light and I occasionally got the feeling that I was the only person there who wasn’t on a panel, but I’m working through one of the most bizarrely busy weeks ever so yesterday was my one chance to check it out.

I think what most surprised me was the dragon panel, which I went into as kind of placeholder since there wasn’t much else in the timeslot, but turned into a really interesting discussion of the philosophical and psychological role of dragons in human literature. Which, probably inevitably, led to the guy who claims that humans aren’t really Earth’s apex predator, because we got to the top of the food chain by “cheating.”

This idea keeps popping up, and it never makes any sense. The fallacy is pretty basic: You can’t cheat when there are no rules.

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Aaron Sorkin is telling us yesterday’s news

HBO, "The Newsroom"

I thought about going with “Aaron Sorkin is yesterday’s news,” but that seemed excessively mean. And probably inaccurate.

A recurring subplot in Sorkin’s previous worst show, Studio 60 on the Sunset Strip, dealt with a character who was developing a TV show about the United Nations, which he was planning to put on HBO because it was too highbrow for the network TV audience — an idea that Amanda Peet’s fake programming director tried to dissuade him of. So it’s probably telling that now, after Studio 60 collapsed under its own baggage and Sorkin himself got to put a show on HBO, his big idea was apparently to make Studio 60 again.

The Newsroom works considerably better than Studio 60 did, largely because it doesn’t have to sell the idea that a fake version of Saturday Night Live is somehow central to the soul of American society. Unfortunately, the show doesn’t seem to have advanced its analysis of the news industry much beyond a few wistful lines about how much better America was when a bunch of old white men told us what to think every night.

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Consoles are over (not really)

Ages ago, when Sony released the original, PlayStation 3, I remarked on the snowballing size of their consoles by suggesting that the PlayStation 9 would end up being the size (and shape) of the Jupiter monolith from 2001. Then, because I was on a roll, I predicted that Sony would only build one, and that it would beam the games directly into users’ minds.

All of which means I can claim that I totally called this: Sony Computer Entertainment is buying the cloud gaming provider Gaikai, which might allow it to stream next-gen games to current-gen consoles. I just wish I could decide if I was happy about it.

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John Roberts just saved the Supreme Court, maybe

Part of me thinks that if Bush v. Gore didn’t destroy the court’s reputation as an impartial arbiter of the law — as no less an authority than Justice John Paul Stevens warned it might — then probably nothing will. But public approval of the Court has been dropping over the last few years, and a party-line, 5-4 vote against the biggest, most politically charged issue of President Obama’s presidency probably wouldn’t have helped.

And, apparently, that almost happened. The Court’s ruling on the Affordable Care Act came so close to striking down the law’s individual mandate that both CNN and Fox initailly reported that it had. It established a more radical reading of the Commerce Clause — the idea that Congress can regulate industries that do business across state lines — than even the law’s opponents expected a year ago. And yet some deft maneuvering by Chief Justice Roberts managed to soft-pedal the impact of the ruling and turned him into a hero of judicial restraint.

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The Dragon Age rut

Sometime during the development of Dragon Age II, the team apparently decided that by far the most interesting part of the expansive fantasy world they’d created was the conflict between mages and templars. It became the central theme of the second game, while most of its tie-in content points to an even stronger focus in the not-yet-officially-announced Dragon Age III. This would have been fine, except they don’t seem to have a clear idea of what to do with this idea.

That’s the central problem with Dragon Age: Dawn of the Seeker, the full-length animated film that the team produced with FUNimation Entertainment. The movie looks great, and it’s a fine way to waste 90 minutes, but it also highlights the franchise’s unfortunate tendency to take an interesting idea and run it into the ground for lack of a new story to tell.

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Dragon stares down Congress?

I spent way too much time trying to come up with a clever dragon title. Even spent a couple seconds thinking about Photoshopping a screenshot from this week’s Game of Thrones. You know, the one with the dragons?

Anyway.

While I was busy not seeing the transit of Venus, apparently Congress was actually seeing the light coming to its senses, sort of, when it comes to the space program. Rep. Frank Wolf, R-VA and the chairman of the House committee that oversees NASA’s budget, has reached a truce over Commercial Crew development program, in which he stops trying to gut the program and NASA agrees to do a bunch of stuff it was probably going to do anyway. The fact that it comes a week after one of the Commercial Crew contractors, SpaceX, successfully sent a spaceship (the Dragon) to resupply the International Space Station, probably isn’t a coincidence.

I’ll take good space news where I can get it, and this seems kind of overdue. Commercial Crew was such an obvious idea that I never really got why it was controversial in the first place. (more…)

I miss my alien budget

Good times.

SimCity 2000 always had a special place in my childhood, in large part because  I would spend hours playing it every weekend to avoid having awkward living room time with my stepfamily. (We went through a SimTower phase that I think was brutal on everyone.) And some odd things about the game have stuck with me.

Obviously there were elements like the strangely haunting soundtrack, or the alien death robot — which I never actually used that much, because really all it did was start fires. But it probably says something that what I really appreciate is how the game tapped into my budding interest in politics and government.

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Mass Effect 3 is way better than you’ve heard

The Reapers were here.

On paper, I’m an ideal candidate to be annoyed about Mass Effect 3‘s ending. After all, my complaint about Dragon Age II was that the game gives the player a ton of choices and then goes out of its way to make them all seem meaningless, which is not far off from the most coherent complaint about ME3. I also don’t like deus ex machina endings, and I was already kind of annoyed at the game because I kind of saw one coming.

And yet, it didn’t really bother me.

Spoilers.
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Why I’m not worried about Game of Thrones

In this week’s edition of me gainsaying io9, I’m taking a look at this piece, in which Charlie Jane Anders wonders if the second season of Game of Thrones will live up to the first. I’m going to be counter-contrarian and say that it will.

The article makes some great points, which amount to the fact that everything that made the first season hard will make the second season harder, plus they’ll need more  special effects. But I think the first point Anders raises is both wrong and the reason why I think the show will actually work.

Spoilers.

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Space Grit

Stargate Universe.

Charlie Jane Anders has an excellent article on io9 about what happened to all the gritty space opera that I spent most of the last decade being wary of.

I’m generally suspicious of articles that try to paint the 2000s as some sort of pinnacle of science fiction on television, as it struck me as the decade when sci-fi shows tried to stop being science fiction. But I was as happy as anyone when I saw shows that paid serious attention to physics and using space to tell complex human stories, so an article about the Unfulfilled Promise of the period works for me.

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