Erik Owomoyela

Erik Owomoyela

I write sometimes.

Latest Posts

The art of ignoring the voters

Bloody Bloody Andrew Jackson, which is running until October 20 at my local community playhouse, isn’t my favorite kind of historical drama — it’s an aggressive mashup of anachronisms that can’t seem to decide how true it wants to be to the real story that it’s telling — but if you read it pretty narrowly, as a skewering of populism and a certain kind of revolutionary, it has some clever points.

Some of the play’s most biting elements don’t involve Andrew Jackson the man or his actual presidency, both of which are pretty heavily fictionalized. Instead, the show works to paint a picture of the American public as a bunch of willfully ignorant simpletons who just want a big strong leader to come along and make the tough decisions for them. And what’s fascinating about this idea isn’t so much how accurate it is, but how central it is to basically every ideology’s political vision, including the moderates. Actually, especially the moderates.

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October 10, 2012 Government, Storytelling Read more >

Our solar system is huge

In 1990, Voyager 1 used its camera for the last time and took a panoramic photo of the solar system, including that famous photo of the Earth as a tiny, pale blue dot caught in a sunbeam. (Or, technically, a lens flare.) At the time, the probe was about six billion kilometers away, or 40 times the distance between the Earth and the sun.

Now, after covering another 12 billion kilometers, it may have become the first human-made object to leave the solar system in early September. And despite moving faster (on average) than any other object we’ve ever built, it took 35 years to get that far.

I was born almost four years after Voyager 1’s flyby of Saturn, when its primary mission ended, so I spent my childhood assuming it was long gone already. The fact that it’s still racking up milestones well into my adulthood is a pretty good example of how hard it is to comprehend the scale of the universe we live in.

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October 9, 2012 Space, Storytelling, Read more >

Cultural imperialism and helmet laws

I don’t generally have a lot of nanny-state moments, but this article about how Seattle’s bike helmet law is holding up efforts to launch the Puget Sound Bike Share program had a couple of discordant notes. Repeatedly, the article makes assertions like this:

We live in a helmet-wearing culture and the PSBS plans to own it. “We are proud to start the [bike share program] in Seattle and be a model for other cities,” Lindmark says.

That’s Ref Lindmark, who happens to be the transportation planner for King County Metro as well as president of the PSBS board. Note that his quote seems to have nothing to do with bike helmets, much less our “helmet-wearing culture.” Possibly because that’s not what we have. What we have is a county regulation stating that anyone riding a bicycle without a helmet can be subject to a $30 fine. So the fact that just about everyone in Seattle wears a helmet isn’t a cultural quirk so much as the result of a deliberate policy choice by our government.

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October 7, 2012 Government, Read more >

The New Format fallacy

Back this summer, as part of his less-than-subtle attempt to tell American journalism how to fix itself, Aaron Sorkin inserted his vision of an idealized debate into last year’s Republican primary. The whole thing turned into a case study in how much better The Newsroom was at identifying the problems in modern journalism than it was at coming up with solutions, and how the show managed to be half-right and yet go horribly wrong. But considering what did and didn’t work in this week’s real presidential debate, it’s worth taking another look.

I mentioned right after the debate that I thought its biggest problem was the disengaged approach from moderater Jim Lehrer. That mattered more than usual because this debate actually did include a kind of revolutionary new format, which mostly did away with the tightly structured response times we’re used to from previous presidential debates. It’s a promising trend, but it means we really do need the moderator to play a more agressive role.

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October 6, 2012 Government, Journalism, , , , , Read more >

Where’s the beef?

When I was in high school, and a little bit in college, I took a few turns in my school’s debate club. It was fun, since I like arguing, but I ended up drifting away from it for a couple of reasons. One, I wasn’t that great at it. Two, it turns out that figuring out an objective way to score an argument ends up taking a lot of the fun out of it.

I’m thinking about this because we’ve reached that time in every presidential campaign where I remember why I hate the debates. It’s not that the debates themselves are bad — they’re not great, but they really are the one of the best chances you get to see the candidates argue for their ideas. What bothers me is that the ideas are generally the farthest thing from anyone’s mind.

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October 3, 2012 Government, , Read more >

How Weird Tales did everything wrong

How far we've come.By all rights, Saving The Pearls: Defending Eden should not have been anything I needed to spend time thinking about. The problem with self-published books is that there’s no reliable means of gauging quality, so I generally don’t pay attention to them unless they’ve been recommended by someone I trust, or they took a title I wanted to use. The literary world would really benefit from some sort of comprehensive system to gauge the quality of self-published work, but until then, I have plenty of other books that I haven’t had time to read.

Then Weird Tales went and made this a story about how not to run a magazine.

It’s hard to find any aspect of this controversy that Weird Tales managed to handle well. First, the editor goes out of his way to get involved in what was already a building online controversy over an obviously touchy issue — not just by defending the book on Weird Tales‘ blog, but by promising to publish its first chapter in America’s Oldest Fantasy Magazine. Then, once the backlash happens, his (co-)publisher decides that the best way to save the magazine is by throwing its editor under a bus.

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August 22, 2012 Writing Read more >

What makes a good monument

Nashville's Parthenon. Photo by Ryan Kaldari, via Wikipedia.

So in 1897, the city of Nashville got a full-scale replica of the Parthenon, because apparently this silly business of every American city calling itself the Athens of Wherever really went to their heads. I’m torn between thinking this is one of those ridiculous things Americans do to affirm a piece of European cultural heritage, like shipping castles across the Atlantic, and thinking it’s actually a really cool idea.

I got to thinking about this as I read a BBC story about the Bamiyan Buddhas, which the Taliban destroyed in 2001 just in case anybody thought they weren’t fanatical enough. Now that the international community has access to the site, there’s a debate about whether to attempt to restore at least one of the figures. And it’s one of those issues that seems to get more complicated the more I think about it.

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August 12, 2012 Random, Read more >

Sometimes, remakes are good

I’m not sure why people are so fixated on whether The Amazing Spider-Man needed to be made. Alyssa Rosenberg, for instance, begins a terrifically insightful review by declaring, “The only people The Amazing Spider-Man is remotely necessary to is Columbia Pictures, which decided to reboot the franchise shortly after Tobey Maguire finished up his run in the webslinger’s unitard in order to hold on to its rights to the character.”

Which is fair enough, and the fact that we got a broadly similar version of this movie just ten years ago is obviously something of a curiosity. But making some intrinsic judgment about a movie’s necessity feels a little strange, especially when you’re not taking its actual quality into account.

This matters because The Amazing Spider-Man isn’t just good; it’s practically a case study in how a reboot can improve on the original. Which actually seems like a great reason to exist, and a lesson more movies could stand to learn.

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July 22, 2012 Storytelling Read more >

The only reason to care about Final Fantasy Versus XIII

By the time I got around to caring about Final Fantasy Versus XIII — sometime after Final Fantasy XIII came out, and I was lamenting how linear the franchise was becoming — it was already pretty clear that the game was probably stuck in development limbo. So I’m not exactly shocked to hear Kotaku reporting that Square Enix has probably decided to just kill the game.

There were plenty of reasons not to be excited about it anyway. What little the developers revealed made it sound like the game would have something very close to a real-world setting, and the main characters were explicitly compared to yakuza. I was mildly interested to see how they pulled that off, but didn’t really expect to like it.

On the other hand, everything else they said about Versus XIII made it sound like it could be a real game-changer.

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July 22, 2012 Games Read more >

“Because God put a Texan in charge.”

The best line in Matt Ruff’s The Mirage comes near the end, and it feels kind of shoehorned in. “Arabia in a state of nature, untouched by the dreams of the West,” one character muses. “Now that would be an alternate reality…” It’s an acknowledgement that, even though the world portrayed in the novel is the result of an arbitrary set of guidelines imposed on its inhabitants by an outside force, much the same can be said for the real Middle East.

It’s a particularly self-aware approach to alternate history. I wasn’t sure I’d like it at first, or through most of the book, but I think it paid off in the end. The story knows that it’s set in a fantasy world that was created by an intelligence with a sense of irony, rather than any kind of historical what-if. But even so, it spent a lot of time exploring what a modern Arab superstate might look like, and that tension between realism and irony led to most of my problems with the book.

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July 19, 2012 Storytelling, Read more >